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Eek! the Cat’s last life

Like many cultured cartoon geeks my age, I have been waiting patiently for Eek! the Cat to come out on DVD, so that I might recapture the halcyon days of the early 90s watching the best thing on Fox Kids.

You won't see a cat getting sucked into a jet intake on Saturday mornings anymore

I asked writer/director “Savage” Steve Holland about the fate of Eek at Cinefamily’s recent double-feature of Better Off Dead and One Crazy Summer, and learned that Disney had bought the entire lineup of Fox Kids cartoons — including our beloved show. However, Eek! the Cat is too “politically incorrect” for Disney (see above pic) and it has remained incarcerated in the Disney vault for the last two decades, no doubt to languish on a shelf between Song of the South and Education for Death. It was a delightfully freakish show with a great voice cast including Dan Castellaneta (The Simpsons), Gary Owens (Laugh-In), Tawny Kitaen (that Whitesnake video), and Cam Clarke (everything, including the voice of none other than Max Sterling in Robotech). Eek still holds up because it was a kid’s show that didn’t dumb itself down and was great fun for those with the sense of humor to appreciate it. Disney is doing a disservice to animation fans by not releasing this (nearly) forgotten classic. I agree with Curtis Armstrong, character actor and voice of Scooter from Eek!Stravaganza, “It was ahead of its time.”

Until Disney decides to dust off this brilliant series, I hear there is a torrent somewhere…

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A generational divide at the movies

I wonder if these things are related…

Why is it that the older you are the more you can’t stand ‘Inception’?

If “Inception” plays especially strongly with a young audience, it’s probably because they instinctively grasp its narrative density best, having grown up playing video games. “When it comes to understanding ‘Inception,’ you’ve got a real advantage if you’re a gamer,” says Henry Jenkins, who’s a professor of communications, journalism and cinematic arts at USC. ” ‘Inception’ is first and foremost a movie about worlds and levels, which is very much the way video games are structured. Games create a sense that we’re a part of the action. Stories aren’t just told to us. We experience them.”

‘Scott Pilgrim’ Versus The Unfortunate Tendency To Review The Audience

Hating Scott Pilgrim vs. The World is perfectly fine. It’s got a style; you sort of embrace it and dig it or you don’t. But when there’s too much effort given to tut-tutting the people you imagine to be enjoying it, or declaring and promising that only narrow categories of losers and non-life-havers and other stupid annoying hipsters could possibly be having a good time when you’re not, it sounds pinched and ungenerous. And, not to put too fine a point on it, a little bit jealous and fearful of obsolescence.

That last article may have been directed at The Kansas City Star:

The geeks are pulling Hollywood’s strings right now, and that’s not a good thing

Their influence on what we see at the megaplex and on television is vast and powerful. The Ain’t It Cool News websites of the world are in effect telling those who are in charge what to do.

This is an awful development.

They’re making movies for a large, appreciative, sometimes-obsessive audience? Tsk. Tsk. How did Hollywood stoop so low? Let’s get back to making more of the right kind of movies, like The Switch and Dinner for Schmucks.

It wasn’t always like this. A quarter century ago, the heavy hitters of movies and television would have sneeringly dismissed these Comic-Con revelers as laughable losers.

I used to be with it. Then they changed what ‘it’ was. Now, what I’m with isn’t it, and what’s ‘it’ seems weird and scary to me. Now if you’ll excuse me, I see someone who needs to be stuffed into a locker.

Maybe the author can see if he shows any of the 10 Signs You’re A Movie Snob rather than dismissing a culture he has no interest in, nor understanding of.

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The indescribable banality of Neonomicon‘s artwork

The art in Promethea tells a story. In From Hell it tells a story. The first page of Watchmen tells a story. Unless this is the story of a reliable Ford Focus with a FM radio/CD player standard, this page doesn’t tell me anything about Alan Moore’s Neonomicon that I need to know.

It’s a scene that takes place outside an asylum (…I assume it’s that afterthought in the distance?) but judging by the level of detail, the car’s center console and armrest are the two most important things in the scene. We don’t even see the faces of our protagonists. Also notice the eyes in the mirror reflect the eyes of someone who should be sitting in the driver’s seat. Sloppy.

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Lego Magician Minifig MOC

Looking at the Lego Magician Minifig I opened, I had a great idea for a MOC.

Enoemos teab em ot ti.

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Lego Minifigs UPC decoder

After spending an inordinate amount on a complete set of Series 1 Lego Minifigures, I discovered a way to distinguish the individual bags based off the UPC code on the back. I was all set to open and scan in every UPC and post them here, then I realized someone had already done it. So enjoy.

Guess I'll just have to enjoy these for their intrinsic value
Now what the hell am I supposed to do with these?!

The lesson to take away from this is that the day of one-man websites getting the scoop on anything new and popular are through. My personal website, testament to that ’90s way of thinking, is a delightful little time capsule to that bygone era. That or I just haven’t gotten with the times. It’s bad enough to be unhip, but much worse to fully comprehend your own obsolescence.

Or so said a friend of mine, “We are in the presence of the new.

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Forever.

Here’s a chilling article from Cracked about 5 Guilty Pleasures The Web Killed.

That rant against corporate greed you made on the Nine Inch Nails forums in 1998? It’s still around, waiting to be Googled by your prospective employer. Your short-lived career as a blogger and passionate advocate of heroin legalization and lowering the age of consent to 16? That’s still floating around as well, ready to be stumbled upon by the Mormon congregation you just converted into. It’s all up there, archived forever, for your children and grandchildren to read.

This isn’t good if I ever apply for a job at, say Apple or Lego.

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The stud that stands out must be hammered down

You may recall earlier my philosophical disagreement with the American imperialism implied in the LEGO Mars Mission sets. Maybe I’m imagining things, maybe it’s because sci-fi is really the domain of social commentary, but the LEGO Space Police sets are setting an unsettling tone as well.

“If you ask me, it’s the $10 withdrawal fees that are the real crime.”

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Popcorn: a forgotten classic, of sorts

I was flipping through suggested movies on Netflix for Wii when I came across an awful horror movie I hadn’t seen since a triple feature my dad and I went to when I was 13: the obtusely-titled Popcorn.

For better or worse, my tastes have changed since then to appreciate this sort of lowbrow fare; details like the inspired closing theme and Crispin Glover’s dad Bruce in a cameo. Popcorn recalls a time before MST3K when watching bad movies for fun was still a fairly rare cultural event. The movie centers around a killer stalking through a horror movie triple-feature (making it a pretty good choice for the venue where I originally saw it, in hindsight) and both the story and the killer’s motives actually make a kind of sense.

Matter of fact, I’d enjoy the hell out of a B-grade horror fest like the one featured in the movie. Minus the killing, I mean.

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Frenzy, to mean a panicked, unfocused activity

One of the five most important rules for writing good screenplays was sent to me today by a clever little girl from Script Frenzy, a “sister event” of the onanistic writing exercise known as National Novel Writing Month:

3. Economy of Words. This might be the most significant difference between NaNo and Script Frenzy (other than the height of the program directors). In a script, the goal is to convey the story without using more words than needed.

This nugget comes more than two thirds of the way through Script Frenzy’s nearly 800-word letter. After a belabored Austin Powers joke (in 2010!); not one, but two introductions; plus a helping of saccharine encouragement. So rather than informing the reader there is a script writing “contest” in April, the message really conveys how in love with its own too-cute-by-half prose the whole endeavor is. I’m sure the relative heights of the program directors will be important later.

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Embrace False Icons

Screenshot from Gorillaz’s “Rockit” video from D-Sides 2006:

reject false icons-gorillaz

Purchasing options for 2010’s Plastic Beach:

Reject false icons. But first stop at our online store.